Rachel Dolezal and the History of Passing for Black – The Atlantic

Anytime you’re talking about the cultural domain, it certainly can be advantageous to pass as black. In many ways, particularly when you’re talking about the discourse around authenticity in jazz, the most authentic jazz players had to be black. And so if you’re a white jazz player who believes that—and that’s the paradoxical irony of being a white jazz musician, is that many of them were quite traditional in their sense that it’s an authentically black music, and so a black person must play it—but what do I do, because I’m not black?

via Rachel Dolezal Resigns – The Atlantic.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s